J.S. Bach Klavierbüchlein for Wilhelm Friedemann, Christophe Rousset 2
J.S. Bach Klavierbüchlein for Wilhelm Friedemann
Disc: 2
1. 49. Fantasia 1 A 3 BWV 787
2. 50. Fantasia 2 BWV 790
3. 51. Fantasia 3 BWV 793
4. 52. Fantasia 4 BWV 794
5. 53. Fantasia 5 BWV 796
6. 54. Fantasia 6 BWV 799
7. 55. Fantasia 7 BWV 801
8. 56. Fantasia 8 BWV 800
9. 57. Fantasia 9 BWV 798
10. 58. Fantasia 10 BWV 797
11. 59. Fantasia 11 BWV 795
12. 60. Fantasia 12 BWV 792
13. 61. Fantasia 13 BWV 791
14. 62. Fantasia 14 BWV 789
15. 63. Fantasia 15 BWV 788
16. 26. Praeludium Ex C Natural BWV 924a
17. 27. Praeludium Ex D Natural BWV 925
18. 28. Praeludium Ex E Natural BWV 932
19. 29. Praeludium BWV 931
20. 1. Applicatio BWV 994
21. 6. Allemande (1) BWV 836
22. 7. Allemande (2) BWV 837
23. 31. Fuga A 3 BWV 953
24. 11. Menuet 1 BWV 841
25. 12. Menuet 2 BWV 842
26. 13. Menuet 3 BWV 843
27. 30. Bass-Skizze In G-Moll (Ohne BWV-Nr.)
28. 3. Wer Nur Den Lieben Gott Lasst Walten BWV 691
29. 5. Jesu, Meine Freude BWV 753
30. Ouverture by G. H. Stölzel
31. Air Italien by G. H. Stölzel
32. Bourree by Gottfried Heinrich Stölzel
33. Menuet – Menuet-Trio Di J.S. Bach – Menuet by G.H.Stölzel
34. Allemande by Telemann
35. Courante by Telemann
36. Gigue by Telemann
37. Allemande by J.C. Richter
38. Courante by J.C.Richter
Played on a harpsichord Ioannes Ruckers 1632 / 1745, in video
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Have just 'tasted' a bit of it … and look forward to fully indulge at a later time … ;o)
Best regards & hug, Karin
FABULOUS!
Such exquisite interpretation!
And ~ isn't the title adorable? I think J.S.Bach created a 'Klavierbuechlein' also for his daughter … :o)
Thank you, dear Val, for the listening pleasure ~ and ~ have a great weekend!
Hugs, Karin
The concept behind this beautifully packaged two-disc set is a performance of the musical notebook Johann Sebastian Bach composed for the education of his eldest son, Wilhelm Friedemann. In essence, this set includes different versions of the 15 Two-part and 15 Three-part Inventions plus earlier versions of 11 preludes from the Well-Tempered Klavier along with several choral preludes, a few transcriptions of other composers' works, and at least a couple of original compositions by 10-year-old Wilhelm Friedemann himself. In effect, it's very cool — harpsichordist Christophe Rousset is a brilliant player with a sprightly wit and a warm tone, and his performances are delightfully funny and wonderfully poetic. Beyond that, the music is very, very cool — Bach's earlier versions are sometimes quite different from the now-familiar versions, and the effect is sometimes aesthetically vertiginous, but, because Bach was Bach and thus fully in control of every aspect of his art, always absolutely persuasive. Ambroisie's sound is very clean, but a bit too close for comfort.
ArZe